Music is such a visceral subjective thing, and a huge part of our world culture. Your music preferences say a lot about you as a person. It defines who and what we are.
Some people write to music, to help them think/create. My books all have soundtracks. I have general “fantasy romance” bands, and then specific bands/sounds for specific books. Thought I’d share where my stories come from.
I love Kate Price (hammer dulcimer) and Mediaeval Baebes — my go-to for all my stories. I love the Old World chants and instruments. They really set the stage for my world-building: castles and kings, peasant villages & serfs, knights and healers, bards and seers.
I play Enya for love scenes, Nightwish & Within Temptation for magical scenes, and Axel Rudi Pell for my fight/battle scenes. For dark magic I’ve been known to pull Warlock out of the archives. Doro Pesch’s voice could cut glass.
Hedda’s Sword is set in Shamar, and Riever’s Heart is set in Isadorikja. Both countries experienced major political upheaval. For them I went with Nordic bands, because the minor keys and not-quite-blending harmonics leave a wonderful unsettled feeling. My kids tease me because I don’t know the words to the lyrics, but I just like the sound! Gamarna, Hedningarna & Varttina:
Lycan Tides is more traditional Celtic – Danu &Leahy in particular
My one non-Guardians of Light published book is Marek’s New World, from Tirgearr Publishing. It’s what I call a contemporary rural paranormal. Heroine is a white wolf shifter and forestry ranger. Hero is a 2000-year-old Native American warrior. They try to apprehend a loosed demon in Kootenai National Forest. For this story I played a lot of Native American flute, esp. R. Carlos Nakai
So that pretty much sums up my musical journey as a writer. I’d love to hear what you listen to!